Philip Glass Withdraws Symphony No. 15 Premiere Amid Leadership Controversy at Kennedy Center
January 27, 2026
News & Politics

Philip Glass Withdraws Symphony No. 15 Premiere Amid Leadership Controversy at Kennedy Center

Composer cites ideological clash with center's administration following recent changes

Summary

Philip Glass has retracted the world premiere performance of his Symphony No. 15, titled "Lincoln," previously scheduled at the Kennedy Center. Glass stated that the current values of the center under its new leadership contradict the message of his composition, prompting the cancellation. This action aligns with a series of artist withdrawals linked to recent administrative shifts at the venue.

Key Points

Philip Glass cancels the debut of his Symphony No. 15, "Lincoln," scheduled at the Kennedy Center due to ideological differences with the center's current leadership.
The Kennedy Center is undergoing a contentious administrative transition, with President Trump’s appointed board of trustees proposing to rename the institution the Trump Kennedy Center.
The departure of prominent artists from planned performances highlights tensions between the center’s governance and the broader artistic community, illustrating a cultural impact within performing arts sectors.

In a significant cultural development, renowned composer Philip Glass has rescinded the planned debut of his Symphony No. 15, "Lincoln," at the Kennedy Center. The premiere was originally set for June 12 and June 13, with Grammy-awarded conductor Karen Kamensek slated to lead the performances.

Glass, who marks his 89th birthday this coming Saturday and was honored by the Kennedy Center in 2018, issued a statement via his publicist on Tuesday explaining the cancellation. He emphasized that his symphony serves as a tribute to Abraham Lincoln, and contended that the present leadership of the Kennedy Center holds values fundamentally at odds with the themes and messages expressed in his work.

Specifically, Glass articulated a sense of obligation to withdraw the Symphony's premiere under the current administration, citing an irreconcilable conflict between the artistic intent and the institution's direction.

The Kennedy Center has yet to provide a response or comment regarding Glass’s decision.

This incident extends a pattern observed over the past year, wherein various artists such as Renée Fleming and Bela Fleck have similarly pulled back from engagements at the center. These withdrawals coincide with a period during which President Donald Trump’s appointees have assumed control of the Kennedy Center’s board of trustees.

The new board members recently announced plans to rechristen the venue as the Trump Kennedy Center, echoing a broader campaign championed by President Trump against what he labels as "woke" cultural influences.

Although the venue’s exterior already features President Trump's name alongside that of John F. Kennedy, formal renaming would require legislative approval by Congress, a procedural step that has yet to be realized.

Risks
  • Continued loss of high-profile artists may diminish the Kennedy Center's cultural stature and adversely affect revenue derived from performances and events, impacting economic sectors linked to arts and entertainment.
  • Leadership disputes and branding controversies potentially erode public trust and institutional reputation, posing risks to philanthropic support and government funding within the non-profit cultural sector.
  • The politicization of cultural institutions like the Kennedy Center may create divisions among stakeholders, affecting future collaboration opportunities and audience engagement, with broader implications for related venues and programming in the national arts landscape.
Disclosure
This article is based on publicly available statements and actions related to the Kennedy Center and Philip Glass's artistic decisions. No projections or analyses beyond the provided information have been incorporated.
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